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#U HE DIVA SALE SOFTWARE#
This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators (e.g. Modules can be mixed and matched so you can build hybrids, but what sets DIVA apart is the sheer authenticity of the analog sound. The oscillators, filters, and envelopes closely model components found in some of the great monophonic and polyphonic synthesizers of yesteryear. Baritone Horns, Euphoniums, and Alto Horns.Speakers - Speakers & Tweeters Component.These capabilities take Diva beyond the original hardware that inspired it.Īll five share common controls: waveform selection, octave range, mix or independent output volume controls, a noise source and plentiful modulation options. Modulation processors such as Invert, Add, Quantize and Lag open up fresh ideas for manipulating Diva. Modifications panel. Dive into the Modifications panel for more modulation options and an opportunity to push Diva into more experimental and unusual territories. The individual effects may be subtle, but they add up to a more authentic analogue sound.
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As the circuit boards are not always 100% the same (due to component tolerances), oscillator tuning may differ slightly, some envelopes are a little less snappy. These options mirror the inherent variations in analogue hardware. Control voice detuning per oscillator, adjust variance between individual voices (round robin), voice drift and more-adding life to your music. Subtle Details. Small details can transform static, lifeless sounds into something much more lively and organic. The Trimmers panel is where you can make your sounds feel more analogue. Add space with the plate reverb and delay, or movement with the phaser, chorus and rotary speaker effects. In keeping with the vintage feel, the available effects would be right at home in the studios of bygone days. Effects panel. As a final touch you can put Diva’s two stereo effects slots to use. Craft gently rising sounds, notes that fade slowly into the distance, or sharp percussion.ĭiva Effects panel. Diva has two slots-one dedicated to the amplifier, the other to the filter-both with three models to choose from. Envelopes provide more nuanced and engaging results. The five models offer a wide range of different characteristics that fundamentally affect the overall sound, giving you a broad palette to start with for your next riff, bass and pad.Įffects and envelopes. Oscillators and filters get your sound humming, but a little polish and refinement make it sing. Switching oscillators and filters on or off like an organ would be very limiting. All filters have modulation options and the traditional cutoff and resonance controls, but each has its character, quirks and options. Like the filters, Diva’s oscillators are also modelled on classic hardware. (If you are interested, Urs wrote an in-depth blog post Link about ZDF.)ĭiva models five different filters found in classic hardware synthesizers. With ZDF, the delays normally produced when modelling analogue circuits are vastly reduced, resulting in a much more authentic resonance behaviour. A combination of realtime circuit simulation and zero delay feedback (ZDF) design gives Diva its remarkable sound. One spirit, many flavours. Oscillators and Filters. The filters are at the heart of Diva’s analogue sound.
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This comes at the cost of quite a high CPU-hit, but we think it was worth it: Diva is the first native software synth that applies methods from industrial circuit simulators in realtime. But what sets DIVA apart from other emulations is the sheer authenticity of her analogue sound. The oscillators, filters and envelopes closely model components found in some of the greatest monophonic and polyphonic synthesizers of yesteryear. Diva captures the spirit of various analogue synthesizers by letting the user select from a variety of alternative modules.